Archive for the ‘Fine Art’ Category


The Plein Air Season Kickoff: Winters Plein Air 2012

by Sergio Lopez | May 15th, 2012
 
This year I am participating in a number of new events for me. The first one is the Winters Plein Festival in Winters, California.

“Winters is a city in Yolo County, California. The population was 6,624 as of the 2010 census. It is part of the Sacramento–Arden-Arcade–Roseville Metropolitan Statistical Area. The city is near Lake Berryessa. It is noted as the one-time residence of cartoonist R. Crumb and former baseball player Frank Demaree. Located at 38°31?30?N 121°58?15?W,[2] Winters is a small city located 11 miles (18 km) from Vacaville. Winters is nearly 30 miles (50 km) from Sacramento and about 60 miles (100 km) from San Francisco, California. Winters post office was established in 1875.[4] Winters incorporated in 1898.[4] The name is in honor of Theodore Winters, who provided half of the town’s land.[4]“

It was a good time. Shaunie Briggs, the coordinator, was extremely generous, and very eager to promote the event. I would say she has some of the most hustle I’ve seen out of a plein air event organizer that I’ve seen firsthand, and that a lot of other events would do much better if they had her spirit.

*note: I will update these pictures with better photos as soon as I am able to.

PREGAME:
This painting was actually done before the event kickoff. I went right after checking out the Edgar Payne show. I dare any landscape painter not to wanna paint like him after seeing 80 of his paintings! I went to the river in West Sacramento to catch the sunset.
DAY 1:
I checked in to get my paintings stamped, then went out toward the creek. This is actually my second time trying to paint this scene. This one is more successful, but it’s a seriously tough scene to paint.
I explored the area and went to Lake Solano, which isn’t really a lake to me, it’s more like the wide part of a river. The river is really still here, which makes it seem more like a lake though. I liked this painting more as I was doing it, but there are a lot of design issues that wish I worked out more.
This one I set up on the sidewalk and painted as part of the “Downtown At Dusk” event. It was an interesting way to make us all visible to the general public. A lot of people seemed to already know about the event which was cool, but it was cool because that almost never happens with these small events. Another one that I liked a lot more as I was doing it. It’s hard to pull off these paintings with big dark areas, and you have to be really careful with ivory black. They always dry more matte than you want them to.
DAY 2:
I went out to Putah Creek to find some great views along the Blue Ridge Trail. It’s basically a 3.5 mile hike up the side of this big hill that goes up about 2000 feet. Super-exhausting but so worth it.
I took a short video at the top of the hill that shows you what the views I painted look like in real life.
Watch on Youtube

There are a couple of white blotches at the top right corner of the painting that represent Sacramento.
Lake Berryessa looks really interesting from above. Lake Berryessa has an interesting history, even without the Zodiac Killer doin’ stuff there. An entire town was evacuated and demolished just so they could create this reservoir. I would recommend just for kicks to read about it.

DAY 3:

For this day I went all over the place to paint. This was about 15 miles north of Winters. I’m not really sure what drew me to this scene other than trying to find a different view of the range. The red roofs of the barns stood out amongst the blues and greens.

Return to Putah Creek! This view felt like some place I would normally have to drive 2 hours into the mountains to find, much like Alpine Lake in Marin County. I really tried to channel Payne in this one especially in the tree shapes.

This one is a really quick study, done in 1 hour. I feel like every alla prima painting is a quick study. It’s really a toss-up if they are going to come out great or not. The only thing you can do is paint as well as you can and hope for the best.
This painting was done between 7 and 8 PM. The light was changing rapidly, and by the time I finished, the long shadows were long gone, and the cows had changed their position many times. I painted what I knew would change quickly and came back in to refine those initial marks afterwards.

DAY 4:
After turning my paintings in, I went out to work on my Quick Draw painting. Even though I rarely spend more than 2 hours on a single plein air painting, there’s something about having the time limit spelled out for you that puts extra pressure on it. This view was found behind the alleyway of Main Street. I always find it easier to paint these more intimate scenes because they feel like still-lifes less than landscapes, but I like the challenge of painting vistas.
Opening night! Here is a video of the show coming together with a walkthrough of the entire show!

I found the way my work stood among the other paintings was a bit eye-opening for me. I felt as though they were a bit too subtle in terms of overall impact. There were a lot of people who told me they liked the paintings, but I didn’t see a whole lot of people turning their heads or stopping to look at them for that long. That important piece of feedback tells me to turn up the drama and flash for next time. I can work in a variety of different styles in methods, and I find that certain approaches are best suited for learning and exploring, and other ones are better for grabbing attention. If I plan on standing out in Carmel next week, I might want to lean more on the flashier side.
DAY 5:

There was a little festival at the park that featured wine, music, and of course art. A few of us painted Beth Winfield, who is a friend and fellow plein air painter herself. Doing these live demos always seems to get more people interested in what we do. I think it’s easier to identify with the skill involved in painting portraits as opposed to landscapes, so it’s a good introduction into what we do as plein air painters.

Wanna check the paintings out in person? Briggs and Co. is at 314 Railroad Avenue in Winters, California. The show will be up until May 31st. Support the events that make the paintings happen!


Locate Briggs and Co. On Google Maps




Newsletter

Facebook

Tumblr

Drawings For Sale

Prints For Sale

Google+

 

Some Recent Stuff

by meatsworthy | April 25th, 2012
 

I’m procrastinating a bit, so here’s a post with some stuff over the last month:

experiment120229s

experiment120315s

experiment120320c

And a 12″x12″ oil on canvas (after NASA):
astronaut_s

 

Terrible Weakness

by DavePalumbo | March 19th, 2012
 

Here’s a new one continuing to push the painterly direction and approach and it is really feeling good. I can’t think of any other recent painting which was as exciting and enjoyable as this was to work on. I’m also tremendously proud to say that this piece will be on display at the Allentown Art Museum for the At The Edge: Art of the Fantastic show from June 3rd through September 9th where it will be hanging in some very distinguished company.

terribleweakness_d_palumbo
36×48, oil on wood panel

terribleweakness_process_d_palumbo

 

Goodbye 2011… (new gallery work)

by DavePalumbo | December 27th, 2011
 

In a couple weeks, I’ll be showing some new personal work at Artists House Gallery in Philadelphia alongside my brother Anthony. Details here, come check it out!

 

The Devil’s Trew

by timothy powers | October 28th, 2011
 

halloween-greetingan-onlooker-ii-smwillemthe-grum-grumble-altsmirker-smgrownout-smsome of the work i just shipped to provincetown from the past few weeks. it’s been a whirlwind. come to the cape this weekend. or, visit my site ur somethin. www.sirtimmy.com // www.briefbits.tumblr.com

drink that hot cider. i just won a figurative grant btw….i’m taking a few days off then plunging into a whole compehensive body of work. for the first time in my life. i’m pretty darn tootin excited.

 

Some art for Beyond Eden 2011

by rodrigo | October 2nd, 2011
 

I have the incredible luck and honour to be exhibiting with two great L.A Galleries at this year’s Beyond Eden Art Fair.

It’s on right now, if you’re in LA you can catch it on Sunday, admission is free, don’t judge the event by my scribbles, there are much better things to see there!

Anyways, here are a few things I have there with either Gallery Nucleus or Thinkspace Gallery.

Cheers!

Detail of a very small moleskine painting, oil/pastel

detail

heres the rest

window_rod-luff

This ones a large pencil drawing

nucleus4t

I was commissioned to do an album cover recently, and I also have it in the show, its pencil and acrylics and pastel

isadora-mu-rod-luff

messed around with this more

violin-ii-rod-luff

 

Unwritten Employment

by Rich Pellegrino | September 11th, 2011
 

I’m working on a new series of figures for a couple of shows coming up next month. I’m very happy to be in a show with our very own Timmy Wilshire Wilson! Tough following up one of his posts. Little buggar!
Get in touch with me at the links below and thanks for looking!
website
blog
twitter
facebook
unwritten-employment_web
“Unwritten Employment”
Mixed media on linen
16×20

Even though this isn’t the final frame I still liked how it looked.
img_1076

 

Korpus School of Art + Gallery is proud to present a Special Lecture Event: “Imaginative Realism: How to Paint What Doesn’t Exist” + “Color and Light” with “Dinotopia” Artist James Gurney!

by Rebeccak | August 19th, 2011
 

Korpus School of Art + Gallery is proud to present a Special Lecture Event: “Imaginative Realism: How to Paint What Doesn’t Exist” + “Color and Light” with “Dinotopia” Artist James Gurney!

Korpus School of Art + Gallery is proud to present a Special Lecture Event: “Imaginative Realism: How to Paint What Doesn’t Exist” + “Color and Light” with “Dinotopia” Artist James Gurney!

+

(Click on Image Above for Full Size Announcement or Click Here)

+

Korpus School of Art + Gallery is proud to present a Special Lecture Event: “Imaginative Realism: How to Paint What Doesn’t Exist” + “Color and Light” with “Dinotopia” Artist James Gurney!
+
THURSDAY
OCT. 6, 2011
7PM-10PM

+
Korpus School of Art + Gallery
1300 Factory Place, Unit 308
Los Angeles, CA 90013
+
Email: korpus.info@gmail.com
Phone: 213-228-2014
Web: www.korpus-la.com

+

DIRECTIONS:

We are located on the 3rd floor of the 3 story chocolate brown building that is on the right of Factory Place as you are coming from Alameda. You will see our sign on the upper left of the builidng, and you will see our 5 windows facing downtown LA as you approach the building. The building has an indoor elevator, and is wheelchair accessible through an outdoor wheelchair lift. There is free street parking in front of the brown building.

+
JAMES GURNEY BIO:
James Gurney is the author and illustrator of the New York Times bestselling Dinotopia book series. He designed the World of Dinosaurs stamps for the U.S. Postal Service and has worked on over a dozen assignments for National Geographic magazine, painting reconstructions of Moche, Kushite, and Etruscan civilizations. He has won the Hugo, Chesley, Spectrum, and World Fantasy Awards. Solo exhibitions of his artwork have been presented at the Smithsonian Institution, the Norman Rockwell Museum, and the Norton Museum of Art. His most recent book, Color and Light: A Guide for the Realist Painter (2010) was the #1 bestselling art-instruction book on Amazon.com and is based on his blog gurneyjourney.blogspot.com.
+
JAMES GURNEY LECTURE INFORMATION:
The presentation will include two back to back lectures: “Imaginative Realism: How to Paint What Doesn’t Exist” and “Color and Light”. James will also do a short Demo following the Lectures. There will be a book signing and book sale following the Lectures and Demo.
Light refreshments will be provided.
+
WORKSHOP COST:
WORKSHOP COST: $75, payment may be made by Cash or Check Only - No Exceptions. *PAYMENT MUST BE MADE IN ADVANCE by TUESDAY, OCTOBER 4! Register early to reserve your space! Your payment ensures your registration. Space is limited to about 20 participants, so sign up early!
+
Checks are payable / deliverable to:

+

Korpus School of Art + Gallery
1300 Factory Place, Unit 308
Los Angeles, CA 90013

+

To hand deliver your payment, please call to make an appointment. Otherwise, please mail your payment to the address above. Please contact us with any questions. See you at the Workshop!

 

Zelda, Medusa, Degas, Ingres with a Faceless Naked Woman…Wait. What?

by Rich Pellegrino | August 8th, 2011
 

Hey guys

This is my contribution to the iam8bit show opening next week in LA on August 11th.  From what I hear this show is going to be a big one.  So, I’m flying out west for it.  Hey, I miss too many of these shows and I can’t miss them all.

A limited edition of 100 prints will be released through iam8bit on August 11 and later at my etsy store.

I posted an in-depth process on my blog on how the piece’s concept grew and changed and  how it was inspired by Gustave Klimt’s work here.

Cheers and thanks for looking!!

Commence link onslaught!
website
blog
twitter
facebook

rich-pellegrino_zeldas-slumber

“Zelda’s Slumber; Dreaming of The Kiss”
16×20
Acrylic and Gouache on Hardboard
available at iam8bit

In it’s frame.

rich-pellegrino_zeldas-slumber-framed

This is the cover to my second book in the Picture Window Books’ Greek Myths story collection, Medusa’s Stony Stare.

a1

With art department’s requested revisions.

a

Some new charcoal demos.

After Degas

img_0237

After Ingres

img_0234

img_0235

 

Korpus School of Art + Gallery is proud to present a Special 1-Day Workshop: “Gesture the Soul of the Drawing” with renowned Master Draughtsman Glenn Vilppu!

by Rebeccak | August 6th, 2011
 

(Click image above for larger version or click here)

+

Korpus School of Art + Gallery is proud to present a Special 1-Day Workshop:
“Gesture the Soul of the Drawing” with renowned Master Draughtsman Glenn Vilppu!
+
SUNDAY
AUG. 28, 2011
10AM-1pm, 2-5 pm

+
Korpus School of Art + Gallery
1300 Factory Place, Unit 308
Los Angeles, CA 90013

+

Email: korpus.info@gmail.com
Phone: 213-228-2014

Web: www.korpus-la.com

+

DIRECTIONS:

We are located on the 3rd floor of the 3 story chocolate brown building that is on the right of Factory Place as you are coming from Alameda. You will see our sign on the upper left of the builidng, and you will see our 5 windows facing downtown LA as you approach the building. The building has an indoor elevator, and is wheelchair accessible through an outdoor wheelchair lift. There is free street parking in front of the brown building.
+

GLENN VILPPU DRAWING WORKSHOP INFORMATION:

The workshop will include how to capture the action of the pose and then build upon it to create drawings with vitality. Vilppu is well known for conveying complex principles in simple, understandable terms to artists of beginning, intermediate, and advanced levels of ability. Come prepared to draw from the live model as Vilppu masterfully demos and lectures on gesture drawing from life.
+
*Please bring your own drawing materials. Some drawing materials may be available for sale only at Korpus, but supplies may be very limited. Drawing benches, some easels, and light refreshments will be provided. Space is limited to about 20 participants, so sign up early!
+
*Please note: While attendees may attend either or both the morning and afternoon sessions, it is recommended that those who can only attend one session attend the morning session, since the afternoon will build on the morning lesson.
+
WORKSHOP COST: $80 for full day, $40 for half day, payment may be made by Cash or Check Only - No Exceptions. *PAYMENT MUST BE MADE IN ADVANCE by FRIDAY, AUGUST 26! Register early to reserve your space! Your payment ensures your registration.
+
Checks are payable / deliverable to:
+
Korpus School of Art + Gallery
1300 Factory Place, Unit 308
Los Angeles, CA 90013
+
To hand deliver your payment, please call to make an appointment. Otherwise, please mail your
payment to the address above. Please contact us with any questions. See you at the Workshop!

+

To view our announcement on Facebook, click here.

 
 Page 1 of 11  1  2  3  4  5 » ...  Last » 

Copyright © 2008 Gorilla Artfare. Logo illustration by Alexander Draude. Design by absens.net.
All images are property of their respective owners. Do not use without permission.