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The Plein Air Season Kickoff: Winters Plein Air 2012

by Sergio Lopez | May 15th, 2012
 
This year I am participating in a number of new events for me. The first one is the Winters Plein Festival in Winters, California.

“Winters is a city in Yolo County, California. The population was 6,624 as of the 2010 census. It is part of the Sacramento–Arden-Arcade–Roseville Metropolitan Statistical Area. The city is near Lake Berryessa. It is noted as the one-time residence of cartoonist R. Crumb and former baseball player Frank Demaree. Located at 38°31?30?N 121°58?15?W,[2] Winters is a small city located 11 miles (18 km) from Vacaville. Winters is nearly 30 miles (50 km) from Sacramento and about 60 miles (100 km) from San Francisco, California. Winters post office was established in 1875.[4] Winters incorporated in 1898.[4] The name is in honor of Theodore Winters, who provided half of the town’s land.[4]“

It was a good time. Shaunie Briggs, the coordinator, was extremely generous, and very eager to promote the event. I would say she has some of the most hustle I’ve seen out of a plein air event organizer that I’ve seen firsthand, and that a lot of other events would do much better if they had her spirit.

*note: I will update these pictures with better photos as soon as I am able to.

PREGAME:
This painting was actually done before the event kickoff. I went right after checking out the Edgar Payne show. I dare any landscape painter not to wanna paint like him after seeing 80 of his paintings! I went to the river in West Sacramento to catch the sunset.
DAY 1:
I checked in to get my paintings stamped, then went out toward the creek. This is actually my second time trying to paint this scene. This one is more successful, but it’s a seriously tough scene to paint.
I explored the area and went to Lake Solano, which isn’t really a lake to me, it’s more like the wide part of a river. The river is really still here, which makes it seem more like a lake though. I liked this painting more as I was doing it, but there are a lot of design issues that wish I worked out more.
This one I set up on the sidewalk and painted as part of the “Downtown At Dusk” event. It was an interesting way to make us all visible to the general public. A lot of people seemed to already know about the event which was cool, but it was cool because that almost never happens with these small events. Another one that I liked a lot more as I was doing it. It’s hard to pull off these paintings with big dark areas, and you have to be really careful with ivory black. They always dry more matte than you want them to.
DAY 2:
I went out to Putah Creek to find some great views along the Blue Ridge Trail. It’s basically a 3.5 mile hike up the side of this big hill that goes up about 2000 feet. Super-exhausting but so worth it.
I took a short video at the top of the hill that shows you what the views I painted look like in real life.
Watch on Youtube

There are a couple of white blotches at the top right corner of the painting that represent Sacramento.
Lake Berryessa looks really interesting from above. Lake Berryessa has an interesting history, even without the Zodiac Killer doin’ stuff there. An entire town was evacuated and demolished just so they could create this reservoir. I would recommend just for kicks to read about it.

DAY 3:

For this day I went all over the place to paint. This was about 15 miles north of Winters. I’m not really sure what drew me to this scene other than trying to find a different view of the range. The red roofs of the barns stood out amongst the blues and greens.

Return to Putah Creek! This view felt like some place I would normally have to drive 2 hours into the mountains to find, much like Alpine Lake in Marin County. I really tried to channel Payne in this one especially in the tree shapes.

This one is a really quick study, done in 1 hour. I feel like every alla prima painting is a quick study. It’s really a toss-up if they are going to come out great or not. The only thing you can do is paint as well as you can and hope for the best.
This painting was done between 7 and 8 PM. The light was changing rapidly, and by the time I finished, the long shadows were long gone, and the cows had changed their position many times. I painted what I knew would change quickly and came back in to refine those initial marks afterwards.

DAY 4:
After turning my paintings in, I went out to work on my Quick Draw painting. Even though I rarely spend more than 2 hours on a single plein air painting, there’s something about having the time limit spelled out for you that puts extra pressure on it. This view was found behind the alleyway of Main Street. I always find it easier to paint these more intimate scenes because they feel like still-lifes less than landscapes, but I like the challenge of painting vistas.
Opening night! Here is a video of the show coming together with a walkthrough of the entire show!

I found the way my work stood among the other paintings was a bit eye-opening for me. I felt as though they were a bit too subtle in terms of overall impact. There were a lot of people who told me they liked the paintings, but I didn’t see a whole lot of people turning their heads or stopping to look at them for that long. That important piece of feedback tells me to turn up the drama and flash for next time. I can work in a variety of different styles in methods, and I find that certain approaches are best suited for learning and exploring, and other ones are better for grabbing attention. If I plan on standing out in Carmel next week, I might want to lean more on the flashier side.
DAY 5:

There was a little festival at the park that featured wine, music, and of course art. A few of us painted Beth Winfield, who is a friend and fellow plein air painter herself. Doing these live demos always seems to get more people interested in what we do. I think it’s easier to identify with the skill involved in painting portraits as opposed to landscapes, so it’s a good introduction into what we do as plein air painters.

Wanna check the paintings out in person? Briggs and Co. is at 314 Railroad Avenue in Winters, California. The show will be up until May 31st. Support the events that make the paintings happen!


Locate Briggs and Co. On Google Maps




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Human Nature: Christopher Queen Gallery Show

by Sergio Lopez | May 2nd, 2012
 
The exploration of fabric continues! This time I am exhibiting my efforts at the Christopher Queen Gallery for the Human Nature show(May 6 to July 8). I feel like I am really getting a handle on these series, especially the Sacred Spring one. I personally feel like these are some of the best paintings of the series, and I am hoping the audience agrees. 
“Sabellia” 24×12″ Oil on Linen board.
This painting has the frame on it from the “Camellia Roses” painting. 
It looks much better on this painting.
“Diva” 16×12″ Oil on Linen Board.

“Lucia” 16×12″ Oil on Linen Board.
“Lucid Awakening”
24×12 in. oil on linen panel.

“Maiden of the Mist” 24×12 in. oil on linen panel.

If you want to check out the show it’s going to be up starting Sunday, May 6th and will be up until July 8th. Here is the map to see where the gallery is.

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Join the fun!



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Natural Patterns pt.2 - Show Opens Saturday!

by Sergio Lopez | April 13th, 2012
 

Hey everyone! If you’ve been following my blog over the past couple of months, you will have seen the first few efforts of this new series I’ve been working on. I am going to post the rest of them that I finished just in time for the deadline to the show. They are all at the gallery now, and they are already getting major kudos. As a matter of fact, two pieces have been sold already, and the pieces haven’t even officially been put on sale yet! I’m really psyched for the opening reception, and I hope you can check out the show if you are in the area!

RSVP ON FACEBOOK

“Golden Ether” 15×10 in. Oil on Linen Panel.

“Jalini” 16×10 in. Oil on Linen Panel.

“Ardent” 12×15 in. Oil on Linen Panel.
 ”Concordance” 12×18 in. Oil on Linen Panel.
“Passerine” 24×15 in. Oil on Linen Panel.
“Soletta” 28×16 in. Oil on Linen Panel.

“Alamere” 28×20 in. Oil on Linen Panel.
“Elanis” 20×30 in. Oil on Linen Panel.

I made an hour-by-hour time-lapse gif from the Instagram photos I was taking while I painted this. Lots of fun!

If you would like to see the other paintings for the show go to these posts:

http://themainloop.blogspot.com/2012/03/natural-patterns-modern-eden-solo-show.html
http://themainloop.blogspot.com/2012/04/sacred-spring.html

Which painting should I enter into this year’s Artist Magazine competition? Please vote in the poll: http://bit.ly/IEMJ93



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Sacred Spring

by Sergio Lopez | April 6th, 2012
 
Hey everyone! If you’ve been keeping up with the blog, you may remember that my solo show at the Modern Eden Gallery is coming up soon. Along with what I’ve done with the Natural Patterns series I am also working on this series to show with each other.
Process and concept
This model posed for me in front of a large window surrounded by natural light reflected from multiple angles. It makes this really interesting diffused back lighting. I pretty much improvised the flower head-dress for her to model with. As I went through the photos for the shoot, I cherry-picked the ones that would make the best compositions.

I wasn’t quite satisfied with just the figure against such a minimal background as a concept, so I wanted some sort of interesting decoration around her. An Art Nouveau motif seemed like a good fit for her costume, and I had happened to come across the Jugendstil magazine Ver Sacrum, a short-lived yet highly influential periodical created by the likes of Gustav Klimt amongst other greatly skilled designers. I love design from that period, and I wanted to create something that pays homage to the influence yet bringing my own style to it.

As I was coming up with the names for these, I wanted to know what Ver Sacrum actually referred to. It’s actually Latin for Sacred Spring, which is an ancient Roman ritual. A lot of the mythology tied to it seemed pretty interesting to me. The names have varying degrees of meaning tied directly to it, but I have fun playing with the words to make them into something mysterious.

“Sabina” 16×20 in. oil on canvas board.
“Samnia” 16×20 in. oil on canvas board.

“Aquila” 16×20 in. oil on canvas board.
“Evocation” 16×20 in. oil on canvas board.
“Votum” 16×20 in. oil on canvas board.

These smaller pieces were done on watercolor paper mounted to board with water-mixable oils. I’m still having fun with them. The main issue I’ve had with them is that the white paint is way too transparent for me. Apparently you can mix gouache into the Holbein Duo paints, at least that’s what I’ve read. I might need to do that, at least for the oils.

Speaking of transparent whites, I posted this on Facebook as well, but I am really liking Transparent White as a color to lighten other mixtures. It doesn’t overpower the other colors like Titanium White would, it gives you much more control if you just want to step up the values a bit. Hope that’s a good tip for some of you out there.



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Luminian + Safehouse Show Four

by Sergio Lopez | March 21st, 2012
 
Hey everyone, here is another piece from the “Natural Patterns” series. 
This painting is water-mixable oils on watercolor paper. It’s a fun medium to work with, but only if you treat it like another water-based medium, NOT like traditional oils. It was a medium I had completely dismissed back in the day when I was still really learning to paint, but it was because I was trying to use it just like oils. It feels and acts much more like acrylics, especially when thinned out. You can get a nice sheen to it if you build it up and use the linseed oils made for it.
“Luminian,” 26.5×17 inch water-mixable oils on watercolor paper mounted on board.

Super stoked to have this piece showing alongside some of my favorite San Fran artists and peeps at the Safehouse Studios show this Friday!

You’re going to want to go, because you are going to get an unbelievable deal on it, but only for the one night it’s up. It’s gonna be so good, you’re going to have to go see it in person!

From 7:00pm till 10:00pm - Friday March 23rd

The Safehouse Studios
80 Langton, San Francisco, CA 94103

Please go here to find out the show essentials: http://www.thesafehousestudios.com/showfour/showfour.html

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Natural Patterns - Modern Eden Solo Show - 2012

by Sergio Lopez | March 7th, 2012
 

Hey everyone!

It’s my pleasure to announce my latest series that explores the pattern motifs that I began with the Painted Roses series. It’s been a series I’ve been working on diligently for months now, and since I am getting ready to exhibit them next month, I can finally roll out the first pieces. You can follow the progress I have been documenting as I paint them step-by-step at my Facebook page:

http://on.fb.me/naturalpatternsprogress
This is a pattern that I created myself in Photoshop and had printed out through Spoonflower.com.

I had the model pose in front of a waterfall. In fact, almost all of the names have something to do with waterfall folklore and mythology.

“Aspro Nero” 6×8 in. Oil on Canvas Board, 2012

“Neda’s Entrance” 10×10 in. Oil on Canvas Board, 2012

“Light Wave” 9×11 in. Oil on Canvas Board, 2012.

The Seventh Sister” 9×11 in. Oil on Canvas Board, 2012

“Tequendama” 9×15 in. oil on canvas board.

The show will again be through the Modern Eden Gallery in San Francisco, where I showed my Painted Roses series last year. Please visit their website and like their Facebook page.
http://www.moderneden.com/upcoming.html

If you are signed up to my newsletter and opted in to recieve postcards, I shall be mailing them out soon. If you haven’t done so, and you want one, please sign up here or send me an email with your address and I will send you some!

Hope you like them!

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Plein Air: My Bike & Paint Adventure

by Sergio Lopez | February 12th, 2012
 

I was part of an article in Plein Air Magazine’s online edition.

http://www.outdoorpainter.com/news/just-one-painter-of-light-550.html
Steve Doherty, the editor of Plein Air Magazine, contacted me after seeing me regularly post plein air paintings to Facebook’s “En Plein Air” group.

I went out and rode my bike every day for almost a month and did a painting or two. Most of these are 6×8″ oils on panels. I didn’t have a set goal with most of these other than for the sake of study. I did get a lot of valuable brush milage out of it. I think I got some new fans out of it on Facebook and Google+ too.

Some of these are available for purchase through the Christopher Queen Gallery. Check out my page if you want to see them:

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Also worth noting: If you haven’t been looking at my tumblr lately, and you are a fan of vintage illustration you might not be in the know - I did the hard work of lifting the best paintings off of the latest Heritage auction listings - See them at my tumblr: http://themainloop.tumblr.com/


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Ballpoint Pen - A Humble Medium

by Sergio Lopez | January 20th, 2012
 
This round of drawings started with me forgetting 90% of my tools at home. Oops!
I tried to make do with what I had, but it was getting really annoying having only a blunt pastel tool, charcoal powder, an eraser pencil, and a blending stump. You just can’t do much with it.

I went out to my car and dug around for anything else…

 I found a Verithin pencil….

 …and a ballpoint pen.

 It’d been a really long time since I’d used a pen for life drawing. It’s a good exercise to try to not have an eraser to fall back on. Being as direct as you can will make you quicker.

This one was actually a Pilot Fineliner. It’s cool but not quite as smooth as a ballpoint pen.

Here are a few more 20-minute drawings.

People seem to enjoy the novelty of a ballpoint pen more than the look of it, but it’s definitely one of my favorite drawing tools. Not as much as charcoal(nor as permanent, unfortunately) but worth trying if you are in some sort of rut.

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Figure Drawing - New Tools

by Sergio Lopez | December 30th, 2011
 

Hey everyone, here are a bunch of drawings from the last few months. I held back on posting most of these because I had so many paintings to post before, but I am just about caught up with all of that so here are some new sketches.

These next drawings are from when I crashed Henry Yan’s drawing workshop at the Academy of art. Man, I miss the 2-minute intense gesture drawings, and she was great. These were so much fun to do. They never do two-minute gestures in Sebastopol, but they get you warmed up really well.
10-minutes
20-minute drawings done with mostly vine charcoal.

These next drawings were from a few days ago. I’ve been using a lot of new drawing tools, of which I am working on doing another “materials breakdown” movie.

Have a Happy New Year!

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Oil Painting - Pismo Beach, California

by Sergio Lopez | December 26th, 2011
 
“Rosy Air” 10×18 in. Oil on Linen Mounted on Panel
(Click for full-res)

Merry Christmas everyone! Not that it’s that cold around here, but I hope this painting reminds you of warm days at the beach after a long day of playing, or sunbathing, or watching your dog chase waves around.



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